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- Smell and Memory: Newness in the Back Yards of Our Lives
Smell and Memory: Newness in the Back Yards of Our Lives
Smell is a funny thing: it connects us to our past like no other sense. It’s almost as though a smell can flip a switch and move us through time in an instant.

In this edition: |
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• 🔗 The Nose Knows: Articles about the Link Between Smell and Memory 🔗 |
👃 The Nose Knows: Smell and Memory 👃
Articles about the link between smell and memory:
Caregiver’s Corner: Newness in the Back Yards of Our Lives
This week I’m working the video into the article. Enjoy!
It’s funny to me sometimes how my brain comes to rest on my topic for the week. Yesterday, while my partner Chava was visiting my mom in her new home, the owner of the community took her on a tour of the grounds.
One of their stops was in the garden, and Chava brought home a bunch of mint and Thai basil from the adventure. The smell of mint always puts me in mind of two things: childhood in Central New York, and my #3 favorite poem of all time—“Mint,” by Seamus Heaney.1
Smell is a funny thing: it connects us to our past like no other sense. It’s almost as though a smell can flip a switch and move us through time in an instant. Marcel Proust, arguably the “Shakespeare” of French literature, noted this so famously and beautifully that the connection between scent and memory has become known as “the Proust effect.”
But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.
Smell and taste, as both Proust and Heaney point out, bring us back to ourselves and root us in our pasts. There’s a reason why these senses are so important to stimulate for people with dementia. They allow access to memories, places deep in the mind, that are lost otherwise.
Like music, smell and taste live in the deep waters of our Selves.
I don’t know how many times I’ve read Heaney’s poem over the years. I think it’s because it draws me back to running with friends in the New York summer. I remember a particular day when the grownups were having their grownup talk and my friends and I stumbled on a patch of mint in the yard. The smell and the taste of it…
There is something in that moment that I think I will remember long after most other things are gone. A sunny day, a child’s wonder, summer on my tongue. I wonder what my mother thinks of when the smell of mint comes, heady and defenceless, through the house from the garden.
Would you read Heaney’s poem “Mint” with me?
Mint
It looked like a clump of small dusty nettles
Growing wild at the gable of the house
Beyond where we dumped our refuse and old bottles:
Unverdant ever, almost beneath notice.
But, to be fair, it also spelled promise
And newness in the back yard of our life
As if something callow yet tenacious
Sauntered in green alleys and grew rife.
The snip of scissor blades, the light of Sunday
Mornings when the mint was cut and loved:
My last things will be first things slipping from me.
Yet let all things go free that have survived.
Let the smells of mint go heady and defenceless
Like inmates liberated in that yard.
Like the disregarded ones we turned against
Because we’d failed them by our disregard.

Heaney was an Irish poet, and I think the poem is not complete without the spoken element. Hozier, an Irish musician most famous for his songs “Take Me to Church” and “Too Sweet,” has taken to reciting this poem from memory at his concerts. If you’d like to hear it with the Irish lilt that completes it, here’s a video.
There are few statements more poignant to both life and dementia than the line “My last things will be first things slipping from me.” Alzheimer’s disease starts with the things closest too us: where we put our car keys, the name of that person we met yesterday, a friend’s birthday.
When my mom was ill in the hospital a couple weeks ago, her memory retreated further back than the date of my birth. I was my dad in her memory. She remembers me now that she has recovered. Someday I’ll be gone from her mind for good, though.
My last things will be first things slipping from me…
My father, her siblings, her parents, her music, the smell of mint and the flowers in my grandmother’s garden. Someday her consciousness, her breath.
Her last things will be first things slipping from her…
Yet let all things go free that have survived. Today, she picks mint in the garden. Today we laugh and share our secret smiles. Even when we can’t understand the words, we understand each other.
“Mint” is about a lot of things, not least of which are the politics of Irish resistance. But for me, it’s always going to be primarily about running through Ruth Keeney’s yard in the middle of Nowhere, NY, with Jeremy, Chris, and Clint—dear childhood friends—and finding the secret place of scented, minty memory on a perfect day.
The smell of mint will be one of my first-last things that I will be hard-pressed to let slip away. We say goodbye to my mother’s memories like honored guests leaving for parts unknown.
Mint still grows callow and tenacious ever, springing from the ground of my past.
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The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.
The “Eyes” Have It
Last week I ran a poll asking the question, “When words don’t make sense, which non-verbal cue helps you understand your loved one best?” Eyes and facial expressions won by a landslide!

This isn’t too surprising, since so much of our “reading” of people comes from the micro-expressions and the looks we find the other person’s eyes.
My suggestion, though, is to keep all of your senses open and ready to “hear” any kind of communication. Your careful observation can make all of the difference in communicating with your loved one.

Ben Couch, author
I’ve been a dementia professional for over 20 years, but the fight against this disease has become much more personal for me as I am engaged in my mother’s journey with Alzheimer’s disease. I started The Dementia Newsletter as well as it’s parent company, elumenEd, to help caregivers — specifically home and family caregivers — gain access to the very best training and information available at an affordable price.
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At The Dementia Newsletter, we’re dementia professionals but we’re not medical doctors or lawyers. The information provided is for general informational purposes only and should not be considered as medical or legal advice. Always consult with a qualified healthcare professional for medical diagnosis, treatment, or any health-related concerns and consult with a lawyer regarding any legal matters.
1 If you’re keeping track, #2 is T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” and #1 is “Crow with No Mouth,” by Ikkyu Sojun.
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